Pay-to-play, all the way for this art-fair scam. Artists are required to sell 20 tickets at $15-$20 each to show their work. Any unsold tickets are the responsibility of the artist to pay for if they want their work shown.
These shindigs usually include live music (bands who are lured into participating with the same ticket-selling scheme). So RAW offers a club (or other venue) owner free entertainment for the use of their venue for this “event”. The venues can charge a cover, and charge as they normally would for drinks, etc. and keep the profits, so they love the idea.
Read thru their FAQ and judge for yourself. https://www.rawartists.org/faqs
A reader posted “I’ve been contacted by the European Cultural Center/ Global Art Foundation to exhibit during Venice Biennale. They asked for a big “sponsorship” for wall space.
The place they exhibit at seemed great (I’m Italian and know Venice quite well) and the list of their sponsors too. I was in doubt wether to search for sponsorship to afford exhibiting with them but I thought I might as well ask first. I’m very new to the art world, maybe other artists have had experience with them.
Thank you so much”
Any other feedback?
A reader posted “I would consider adding an entry for It’s Liquid Group run by Luca Curci. Mr Curci would typically put out open calls to artists exhibit works as part of a festival with no mention of a entry/ submission or participation fee. Artists would send work to be considered for inclusion and they would often receive a response from Mr Curci, asking for a fee ranging from €50 to €200 (sometimes even more) for each work that has been submitted. Such fees are never mentioned in the original open call.
I have included some links below which go into detail about these so-called ‘opportunities’:
The questionable practice of requiring artists to front money in order to exhibit is not limited to physical galleries. The online world is full of sites that will gladly display photos of your art for a fee. The allure is understandable, and you are certainly not alone if you are compelled to buy in. These sites know how to prey on the need for exposure that all emerging artists feel so strongly. And in this age of internet fame it is easy to believe that a digital gallery could be the answer to your exposure problems. But just like their physical gallery cousins, these vanity websites offer very little at a high cost. Artists fork over their money for the opportunity to have photos of their work sit in a dark corner of the internet with no marketing and no potential for genuine exposure. For ways to find some measure of exposure independently and at no cost, check out our courses and keep an eye on our blog for more information.